But her early body modification pieces were possibly inspired by a year spent in a sanatorium during her youth, not too long after her lungs became diseased, infected by what she terms poisonous materials. Whether such experiences really were the starting point for a career saturated with work focused on body modification is one not worth speculating; but her subsequent bandages, prosthetics and masks have their root somewhere, be it in Germany’s collective post-war experience, or in her own individual psychological makeup.
Above images and text from notey.com
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