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Showing posts with label Masked Identity Student Work. Show all posts
Showing posts with label Masked Identity Student Work. Show all posts
Tuesday, September 25, 2018
Friday, December 8, 2017
Saturday, December 2, 2017
Wednesday, May 3, 2017
Monday, May 1, 2017
Heather Snyder, Student Work
Internal Struggle
Artist Statement
In person, both parts of the mask are clearly visible, but through photography, I chose to focus on the aspect not seen by most people. In my day to day life, people often see me as upbeat, friendly and put together. I am always told that if any one can do it, that I can. Yet most people fail to see the struggles I face, just as they do. Instead of sharing and burdening them with my problems in addition to their own, I withhold and pull on my strength to help them through theirs. Its a choice I make daily, and for me the right one.
The black yarn mask that strangles the individual who wears it represents those suppressed feelings and thoughts that fail to be set free. When withheld for too long, they begin to suffocate and wear the person raw. Often, we try and hide from these feelings, turn our backs to the world and reflect on ourselves.
The bear represents the view the world receives. The mask purposely is looking up and is placed on the back of the head, as the individual appears to be positive and happy, but in reality, their head and heart ache.
In the photography aspect, I had my model convey what they thought frustration, fear, and defeat would looked like to them in action form. From those shots, I selected the best and placed them within a series, demonstrating the process as one goes through their withheld thoughts. Then reveling the final result- the confusion and overwhelming feelings that can come within the public space without warning. Within the image is the symbol of spilled ink, which stands for missed chances- opportunities that can easily be missed while stuck in your head, overwhelmed by everything that should have been said.
In Process Photos:
Hot glue was used to make a flexible mask that would fit over the head.
Yarn was incorporated into the glue.
Tracing paper, gel medium, wire.
Research:
Painted Bride
Silvie Heger, artist, Germany
Miranda July, artist, USA
Megan Lennon, Student Work
Bitch, I am the Pope
For some, religion can be a toxin; a venomous substance that is involuntarily injected into us at a young age. Who’s to say that a woman can’t be pope? Are we fools to allow religion to run our lives? The answer is for you to decide. All I know is, “Ain’t nobody prayin’ for me” (Kendrick Lamar).
Mason Mushinski, Student Work
Me Myself I
Artist Statement
In this project I pulled together thoughts, ideas, and qualities about myself that I wanted to display through my mask. I originally wanted to create a dodecahedron mask to represent how particular and organized I am as a person. After consideration, I ended up making the dodecahedron but wanted to give it flare. Inside the pentagons I placed multiple triangles in order to warp and add multiple faces ranging in size. Looking closely at the piece, a glimpse of the original pentagons can be seen. By leaving the pentagons within the piece, I wanted to represent the large events in my life such as family and education. Each of the large pentagons symbolize segments of my life and the interior triangles represent the small (and large) events that took place in order to shape the important moments in my life. I added "Me, Myself, I" on the surfaces in order to pull together who I am and that I should not be ashamed of that. Building onto that concept, my final pictures represent just that.
The first picture portrays my body and stature as being uncomfortable and sulking as I hold a mirror. Transitioning into the second picture my posture is a bit more relaxed however my body is still rigid and the focus can be seen on the mirror. Completing the sequence, the final picture shows me being entirely confident, relaxed, and unfazed by the blank mirror. The mirror itself is symbolic because in Renaissance paintings mirrors were believed to be a literal and metaphorical reflection of oneself and also a negative representation of pride, temptation, and sin. I decided to include a mirror to show that though I am multi-facetted, it is important to not get wrapped up in personal selfishness regardless of my successes in life. I represented that idea throughout the photography process in that as my posture became more relaxed less of a reflection was seen in the mirror until there was entirely no reflection in the final picture.
Thursday, April 13, 2017
Wednesday, June 15, 2016
Thursday, March 19, 2015
Kailey Jewell, Masked Identity, Student Work
Kailey Jewell, Tennessee, Masked Identity Assignment, Student Work
Kailey used personal memories from her home town in Tennessee to guide her ideas for this assignment.
Labels:
Masked Identity Student Work
Kailey Jewell, Masked Identity, Student Work
Kailey Jewell, Tennessee, Masked Identity Assignment, Student Work
Kailey used personal memories from her home town in Tennessee to guide her ideas for this assignment.
Labels:
Masked Identity Student Work
Christopher McMachen, Masked Identity, Student Work
Christopher McMachen, Masked Identity Assignment, Student Work
Inspired by ideas about concealing, revealing and emergence.
Music "Wake Up Call (Datsik Remix)" by Steve Aoki and Sidney Samson
Labels:
Masked Identity Student Work
Alex McNutt, Student Work
Alex's concept inspired by "Meshes of the Afternoon" by Maya Deren (1943), action figures and the sea.
Materials to make the mask - wire, tracing paper and gel medium.
Meshes of the Afternoon (1943) is a short experimental film directed by wife-and-husband team, Maya Deren and Alexander Hammid. The film's narrative is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper–like cloaked figure with a mirror for a face, a phone off the hook and an ocean. Through creative editing, distinct camera angles, and slow motion, the surrealist film depicts a world in which it is more and more difficult to catch reality. In 1990, Meshes of the Afternoon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", going into the registry in the second year of voting. In 2015 the BBC named the film the 40th greatest American movie ever made.[2] -Wikipedia
Wednesday, March 18, 2015
Wednesday, April 30, 2014
Tuesday, April 22, 2014
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