"Maurizio Anzeri makes his portraits by sewing directly into found vintage photographs. His embroidered patterns garnish the figures like elaborate costumes, but also suggest a psychological aura, as if revealing the person’s thoughts or feelings. The antique appearance of the photographs is often at odds with the sharp lines and silky shimmer of the threads. The combined media gives the effect of a dimension where history and future converge. The image used in Round Midnight is an early 20th century ‘glamour shot’ that at the time would have been considered titillating for both the girl’s nudity and ethnicity. Anzeri’s delicately stitched veil recasts the figure with an uncomfortable modesty, overlaying a past generation’s cross-cultural anxieties with an allusion to our own." From the Saatchi Gallery. Link here.
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Showing posts with label Relief Poster Research. Show all posts
Showing posts with label Relief Poster Research. Show all posts
Tuesday, May 31, 2011
Maurizio Anzeri, Artist
"Maurizio Anzeri makes his portraits by sewing directly into found vintage photographs. His embroidered patterns garnish the figures like elaborate costumes, but also suggest a psychological aura, as if revealing the person’s thoughts or feelings. The antique appearance of the photographs is often at odds with the sharp lines and silky shimmer of the threads. The combined media gives the effect of a dimension where history and future converge. The image used in Round Midnight is an early 20th century ‘glamour shot’ that at the time would have been considered titillating for both the girl’s nudity and ethnicity. Anzeri’s delicately stitched veil recasts the figure with an uncomfortable modesty, overlaying a past generation’s cross-cultural anxieties with an allusion to our own." From the Saatchi Gallery. Link here.
Monday, May 30, 2011
Talia Greene, Artist
Artist Statement: "I am fascinated by our struggle to impose order on our bodies and an unruly world. In my recent work, I have been exploring this topic through the vehicle of hair, both as a material to design with and as a subject. I often appropriate Victorian imagery to draw parallels between today and a time when the fascination, repulsion, and urge to control nature were overtly demonstrated in much of the culture.
In my series, Entropic Variations, I reference the futility of our attempts to control nature, with a playful exaggeration of the quotidian frustration of taming our hair. The series consists of thirteen sequences based on individual portraits, in which the hair takes on a life of its own in the form of a swarm of flies. The swarms grow; run wild; start to conform; then run wild once more. With each new hairstyle, the sitter takes on a new identity. Even as we try to impose our will on nature, nature imposes its anarchy on us." Find Greene's work at the Drawing Center. Link here. Or her website. Link here.
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