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Thursday, March 19, 2020

Plating

A few pieces of inspiration. More to find online. Google "dinner plating". 




Alma by Juan Amador

Source link:
https://www.timeout.com/singapore/restaurants/alma-by-juan-amador






Source link:
https://www.cntraveller.com/gallery/the-50-best-restaurants-in-the-world-2019






World’s Finest Food Plating on Instagram: 

“"Brioche Childhood" plating by @yblinc photo by @thanoojthampy 







Honey and lemon thyme ice cream by Laurent Jeannin

Source link:
http://www.sogoodmagazine.com/pastry-recipes/honey-and-lemon-thyme-ice-cream-by-laurent-jeannin/






Source link:
https://www.thisiscolossal.com/2014/11/thanksgiving-special-how-famous-artists-would-plate-thanksgiving-dinner/



Hangetsu, or half moon, bento boxes are constructed in an appropriately semicircular shape, which was reportedly the favorite of legendary tea master Sen no Rikyu. Many people find this traditional lacquered bento box shape visually appealing, though packing a lunch in it every day would be a challenge.
Source Link:
https://allabout-japan.com/en/article/280/









Dining Diagrams and Etiquette

Just a few. You can find more online.




























Sunday, March 15, 2020

Cloak

Figuratively, a cloak may be anything that disguises or conceals something. In many science fiction franchises, such as Star Trek, there are cloaking devices, which provide a way to avoid detection by making objects appear invisible.
Because they keep a person hidden and conceal a weapon, the phrase cloak and dagger has come to refer to espionage and secretive crimes.
Harry Potter, Invisible Cloak

History
Cloak is a clothing item that is worn over the indoor clothing. It protects the wearer from the weather conditions or it is worn as fashionable outfit or as a part of the uniform. Humans used cloaks since the beginning of history in some simpler or more complex form. In time cloaks changed from larger pieces of leather in prehistory to more sophisticated clothing items following the fashion and progress of technology.
First cloaks were used as a blankets or bed coverings as clothing. Earliest cloaks were made of piece of cloth with a hole cut in the center for the head and resembled a poncho. Earliest North Americans often wore no covering on their upper bodies except for cloaks in bad weather. Ancient Romans used them that way as well Scots and Arabs and through the Middle Ages. Roman cloaks were of different styles. There were of short shoulder length styles, hip-length, knee length and ankle length. Style of the cloak depended on the the class and status of the Roman wearing the cloak.
Different types of cloaks had, of course, different names. Simplest style of cloak was paenula and it was worn by both sexes.


Cloak worn by Roman Soldiers and by Roman officers was called sagum. It was simple rectangular piece of heavy material, knee length, which fastened by a metal or leather clasp called “fibula”. Soldiers wore red ones while officers wore scarlet ones. 
The sagum was a garment of note generally worn by members of the Roman military during both the Republic and early Empire. Regarded symbolically as a garment of war by the same tradition which embraced the toga as a garment of peace,[1] it was slightly more practical in any event, consisting of a simple rectangular segment of cloth fastened by a leather or perhaps metal clasp and worn on top of the armor. The fabric was made of unwashed wool, saturated with lanolin (which made it water-resistant); it was traditionally dyed bright red.


Purple cloak, which was fastened by a large brooch on one shoulder, called lacerna was worn by generals. Purple color visually distinguished a general from other officers.
Lacerna

Roman senators also wore lacerna over their toga. Emperors of Rome wore paludamentum which was an expensive ankle length cloak fastened with a gold or jewelled clasp or brooch. Leana was a thick, round woolen cloak that Roman priests wore. Palliuim was a style of colorful decorated cloak that was reserved for the wealthy. All these cloaks were simple in design and it was not until the Renaissance that tailored cloaks were worn. Some cloaks have hoods and some are made so they cover the front, in which case they have holes or slits for the hands to pass through.
Cardinal or scarlet hooded cloak was very popular in the 18th century Britain. It was made of scarlet wool cloth which was double milled to make it resilient to weather. Scarlet was just a name for a cloak and it was also was also available in other colors. In time cloak styles become shorter and in the 1890s, hip-length mantelets were modern. Materials from which cloaks were made became broader and for cloaks were used wool, satin, silk, pleated chiffon, velvet, lace and taffeta fabrics. By the 1900s coats replaced cloaks but not totally. Coats become evening wear instead all-purpose as they were until then. In 1950s they again become day wear and were made of tweed and mohair. They soon fall out of fashion after that. From then until today they are worn on special occasions.

Cope

The cope  is a liturgical vestment, more precisely a long mantle or cloak, open in front and fastened at the breast with a band or clasp. 
A cope may be worn by any rank of the clergy, and also by lay ministers in certain circumstances. If worn by a bishop, it is generally accompanied by a mitre. The clasp, which is often highly ornamented, is called a morse. In art, angels are often shown wearing copes, especially in Early Netherlandish painting.


The Annunciation, Jan van Eyck
1434 - 1436
Oil transferred from wood to canvas.





The Archangel Gabriel wears a rich cope with a huge jewelled morse.



History of Fashion



LINDSEY WIXSON WEARING COAT CÉLINE, SHOES MANOLO BLAHNIK

MAX VON GUMPPENBERG AND PATRICK BIENERT






WOMAN WEARING A CAPE TO THE ASCOT RACES IN 1923

GETTY IMAGES

Source Link:

Saturday, March 14, 2020

Ruizgalan, Designer

Hannah Brabon, Designer


For her final graduate collection, Hannah initially looked towards the natural world for inspiration, focusing specifically at images of water that has been polluted by dye and ink waste of the textiles industry, as well as researching the effects that these environmental issues have on the surrounding communities. Hannah developed her colour palette from her own photographs of landscapes; these photographs also informed her yarn and fabric choices throughout the collection. The textural qualities of natural forms such as water and mountains inspired the sense of pattern, line and shape throughout the collection.


Hannah’s interest in clothing with a long life lead her to initially focus on using pre-loved denim and transforming it into something new and innovative, that somebody else can enjoy. She is inspired by the history of denim and how denim has been a part of the lives of so many people; from a vast array of sub-cultures and classes in societies throughout the centuries. From ancient Japanese Boro textiles to present day casual wear, Hannah is fascinated by the stories behind the clothing that people wear.

Source Link:
https://www.artsthread.com/portfolios/deconstructeddenim/